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Eli Liszt Posts

A Book Copyright Page

What is a copyright page, and do I need one? Well, if you want to protect yourself and your literary works from book piracy then you will definitely need one. A copyright page not only provides helpful information to book distributors, retailers and librarians but also discourages plagiarism and protects your literary works from being copied without your permission.

Now keep in mind that your literary works is automatically copyrighted the moment you write it. However, without a copyright page then your ownership of said works will be difficult to prove in the court of law.

The copyright page is most commonly found on the back of the book’s title page and is standard in any book. And although there is no set format, there are specific components commonly included which I have outlined below as reference.

Contents of a Book Copyright Page:

  1. Copyright notice (required) – copyright symbol, year of publication and the name of the copyright holder
    • EXAMPLE: Copyright © 2020 by Eli Liszt
  2. Rights reserved notice (required) – all rights reserved
    • EXAMPLE: All rights reserved. No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Thank you for your support of the author’s right.
  3. ISBN – international standard book number (will need separate ones for each book format)
    • EXAMPLE: ISBN 978-0-578-68056-9
    • EXAMPLE: E-Book ISBN 978-0-578-69713-0
  4. Library of Congress Control Number – is a free number that libraries use to catalog your book.
    • EXAMPLE: Library of the Congress Control Number: 2020123456
  5. Disclaimers – implying that you deny responsibility for particular aspects of your book, such as denying characters were based on actual persons.
    • EXAMPLE: This book is a work of fiction. References to events, establishments, organizations, or locations are intended only to provide a sense of authenticity and are used fictitiously. Any resemblance to actual persons, living or dead is entirely coincidental. All other names, characters, incidents, and dialogue are products of the author’s imagination and are not to be construed as real.
  6. Permissions notice – only required if you used any copyrighted material with permission from the owner.
    • EXAMPLE: Excerpt from THE DIARY OF ANAIS NIN, Volume Five: 1947-1955. Copyright © 1974 by Anais Nin. Used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.
  7. Credits – give credit to anyone who made a contribution to your book such as a graphic designer, photographers, editors, or proofreaders.
    • EXAMPLE: Cover design by Daniel Lieske
  8. Print edition – if there are multiple editions.
    • EXAMPLE: First Edition
  9. CIP data block – only required if you plan to market your book to libraries but otherwise not required. A CIP data block actually stands for “Cataloging in Publication” and refers to the bibliographic record created by the Library of Congress for a book prior to its publication. Unfortunately, the CIP program excludes self-publishers from participating.
  10. Ordering information – info for people or organizations wishing to order more copies of your book.
    • EXAMPLE: For information about special discounts available for bulk purchases and sales promotions contact LIGHTNING SOURCE LLC provided by INGRAMSPARK.
  11. Author’s website – website
    • EXAMPLE: www.eli-liszt.com
  12. Printing details – location of printing
    • EXAMPLE: Printed in the United States of America.
  13. Trademarks – Disclose any trademarks you may hold to names, logos, or imprints included in your book.
    • EXAMPLE: Logos are the most common
  14. Printer’s key – numbers are actually there for the publisher’s production department. They represent the printing number (or sometimes, the printing year).
    • EXAMPLE: 20 20 79 38 56 41 96 18
  15. Publisher information – For self-published authors, you may put your name, pen name, and/or an author website in lieu of publisher info.
    • EXAMPLE: Published by Eli Liszt, 2901 W. Parker Rd, P.O. Box 868054, Plano, Texas 75086
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Social Media Presence

Every author should have a social media presence BEFORE their book is released, preferably months or even years in advance. An author with a strong online presence will have an advantage from a marketing standpoint which will also attract prospective literary agents and/or publishers.

The more followers an author has then the more books they could potentially sell to said followers. That’s why it is vital to build an audience that compels to your genre, whether that be fiction, non-fiction, history, biography or just simply a collection of poems.

I have listed a few things you should be doing to increase your visibility on social media and turn followers into readers.

  1. Create social media accounts with the tops six sites: Twitter, Facebook, Instagram (owned by facebook), Snapchat, Goodreads and Youtube.
  2. Post regularly and make it relevant to your book or author life.
  3. Engage with your followers by posting interactive content with the focus to have those post shared.
  4. Create a newsletter and ask your followers to sign-up. Be sure to offer something in return in order to grow your list.
  5. Host giveaways – if your book isn’t published yet then host a future giveaway which will draw attention to your literary work.
  6. Offer insights or advice about your publishing journey to other authors.
  7. Post personal updates – most fans/readers want to know more about their favorite authors so give them a sneak peek into your personal life. Keep it tasteful and be careful not to share too much.

The steps above should be the least cost-effective method in creating a buzz about your literary works while attracting fans which will increase your future book sales. Research other authors in your genre to see what does or does not work that way you do not make the same mistake. Be creative in your own personal way and commit to posting as much as you are able.

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Professional Book Reviews

Did you know that almost all literary organizations require and rely on professional reviews from an accredited journal or magazine before they will add any published works to their collection? Public Libraries (including School Libraries), Indie Bookstores and even World-Wide Book Fairs look for a professional & positive reviews to help them make their purchasing decisions.

Most Librarians leverage Kirkus, Publishers Weekly, School Library Journal & Booklist to determine whether a book is right for their collection. Without such reviews, Librarians would only add an item if it were by an established author that has proven to be popular with their Library patrons. Therefore, it is imperative that debut authors solicit and obtain a professional book review.

Inquiring about such reviews can be somewhat intimidating due to potential out of budget cost and rejection. But fear no more as I have completed my research and outlined the cost benefits of each company that offers professional reviews as a quick reference guide. Be sure to choose the option that works best for your published works.

Blue Ink Review is a fee-based review service devoted exclusively to self-published books and delivers professional, unbiased reviews written by critics drawn largely from major mainstream publications and by editors from respected publishing houses.

Cost $445.00 with a guaranteed review.

Book Life by Publishers Weekly – will only review self-published books and a guaranteed review by a PW reviewer and a review within six weeks (or four if you purchase expedited service).

Cost $399.00 with a guaranteed review.

BookList – is a pre-publication journal and only considers books submitted 15 weeks in advance of the on-sale date. Please note that BookList carefully considers self-published titles that meet their reviewing criteria.

Cost $0 if considered.

City Book Review – there are two types of book reviews: General & Sponsored. General means that they will accept books for general submission that are not past 90 days of their release date, and they only review about 40% of the books sent to them (no charge). Sponsored reviewed is a guaranteed review for books that have been published longer than 90 days (fee based).

Cost $199 with a guaranteed review.

Compulsive Reader – although they focus on literary fiction and poetry, Compulsive Reader reviews a wide range of genres. If you would like your book to be featured, please send a brief (1-2 paragraph) synopsis, and if they feel that there’s a fit, they will contact you directly to let you know where to send a review copy.

Cost $0 if considered.

Indie Reader – if your title is IR approved (4-5 stars) then it will also be included in IR’s “Best reviewed books of the month” feature, which is posted to the IR site and sent to their 10K + subscribers.

Cost $299.00 with a guaranteed review.

Kirkuswill provide a professional review for fee. While we do not guarantee positive reviews, unfavorable reviews can be taken as valuable feedback for improvements and ultimately do not have to be published on our site.

Cost $450.00 with a guaranteed review.

Midwest Book Reviewis an organization committed to promoting literacy, library usage, and small press publishing. Midwest is a post-publication review institution, and generally request two copies of the published book.

Cost $50.00 with a guaranteed review.

Publishers Weekly – reviews traditionally published books, as well as a small selection of self-published books. You can submit your book for review consideration, but there is no guarantee of a review, and it can take months for a book to be reviewed.

Cost $0 if considered.

School Library Journal – the editors decide which books and multimedia materials to review based upon potential interest to SLJ readers. Submission does not guarantee review.

Cost $0 if considered.

Self-Publishing Review – their reviews are shared extensively on social media to their 185K monthly views, and a permanent website link to your review which will show in Google search results for your book.

Cost $99.00 with a guaranteed review.

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Self-Publishing Platforms

If you are a self-published author like me, then you are probably wondering which online book platforms are the right fit for your finished manuscript. With so many companies advertising their services, it is hard to tell which ones are reputable or vanity press (authors pay to have their books published and will usually publish any book that a writer pays it to).

Well, know that you have the option to publish your content to several online book retailers, aggregators, or their subsidiaries with non-exclusive rights. Just be sure to read the fine print to ensure that you are not obligated for a certain period and are not signing exclusive rights to that particular retailer.

Explore your options and take the time to understand what each retailer or aggregator has to offer before committing, signing, or agreeing to anything. I have listed a few that I personally investigated prior to publishing my book. Know that each online self-publishing platform charges a minor fee for their services so choose the one that will work best in your favor.

AGGREGATORS – Distributes to several online book retailers, including Libraries, Amazon, Barnes & Noble, Apple and Kobo. There are no exclusive rights, and you are able to self-publish on several aggregators at the same time.

  1. IngramSpark – Both Print & E-Book with global distribution to over 40,000 retailers & libraries, including Amazon, Barnes & Noble, Apple and Kobo.
  2. Smashwords –E-Book only with global distribution to major online E-Book retailers such as Barnes & Noble, Apple Books, Kobo and Tolino, and to libraries via distribution relationships with OverDrive (40,000+ libraries), Baker & Taylor Axis 360, Bibliotheca CloudLibrary, Odilo and Gardners.
  3. Draft2Digital – Both Print & E-Book with global distribution to Amazon, Apple Books, Barnes & Noble, Kobo (including Kobo Plus), Tolino, OverDrive, Bibliotheca, Scribd, Baker & Taylor, Hoopla and Vivlio.

DIRECT PUBLISHING – Most direct publishing platforms will have their own exclusivity programs (potential exclusive rights), meaning you as the author will not be able to self-publish on any other platform. Each retailer will also differ in royalties and fees to upload your files for distribution to the public.

  1. Amazon KDP
  2. Barnes & Noble Press
  3. Apple Books
  4. Kobo
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Book Cover

So many questions come to mind when thinking about your book cover and a potential illustrator. Should I hire a professional or should I use a pre-made book cover for my novel? What is the cost involved? How long does it take? Can I bring my own idea to life?

Compelling illustrations are the most effective way to make your book stand out, therefore the author must put thought and time on the book cover of their novel and/or project.

In my opinion, hiring a professional is a MUST unless you’re familiar with the software. Your book cover should reflect the basis of the story and attract the audience for that genre.

Before hiring such individual, I would suggest researching the book designer and/or illustrator. Find out how many book covers they have done in the past. What is the turnaround timeframe for completion? What is the cost involved for a revised request and is there a limit on revisions?

You will need to know the specifications of your book (binding type & trim size). Most book designers and/or illustrators should also be able to provide the illustration for your spine and the back cover. Make sure that the individual you hire is able to provide all of these services otherwise you will have to hire someone else to add text to the spine and back cover.

For my most recent project, I already had a sketch in my head of how I saw my book cover. I provided this information to the potential illustrator and also asked if he could provide the text for the spine and the back cover. The illustrator immediately confirmed that he would be able to bring my idea to life and even had some concepts of his own. This illustrator was seasoned and did not charge me for the project until I was fully satisfied with the final product (which took about 30-45 days to complete). I had at least 5 revision request and he was amendable to all of the modifications.

At the end of the day, it is up to you if you want to put in the time and work for your book cover. Just be sure to choose the option that works best for your schedule and timing of your project.

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